We'll chop it into individual movements for the final product. Below is a loop that will be offered on an upcoming Beat Thang expansion pack. These can be sold as construction kits for production, or as sample-style stereo loops. The user could put any combination of the elements together or use any one element separately.
The result was a really long session that could be chopped up and used for its individual elements (bass riffs, sax riffs, drums, etc.). A big part of that was just calling in four or five session players and jamming for a few hours.
The idea was that we'd go back to these raw sessions and mine more gems for expansion packs - people always want new sounds. We cut tons of stuff for the Beat Thang and probably only used about 10% of it on the stock sound set. UAD Powered Plug-Ins on Construction Kits
I really feel that I now have the tools to get out the stuff I hear in my head. And because it's a digital model of a prime specimen, I get the consistency and perfection of digital replication, along with the warmth and character of the original analog gear. Now instead of running to a rental spot or trying to track down a friend with an LA-2A, for example, I just pull up a plug-in. The sound is absolutely awesome and the modeling is spot-on for each processor. I started using the UAD-1 when we first began to do the stock sounds for Beat Thang and I was like, "Oh my God!" My most favorite vintage processors as plug-ins and powered by external DSP! I had to get the UAD-2 as soon as it came out and now my A and B rooms are fully equipped with UAD-2 plug-ins. I've found UAD Powered Plug-Ins to be the perfect choice for finalizing my sound - either as a mix engineer or a sound designer. This is the final stage where you can make or break a well-recorded sound with the right or wrong choices. Of course it starts with the sound source, mic selection, mic technique, and environment, but it all comes together and ends with the preamp, processor selection, and settings. There are several steps to making truly unique sounds.
#Bke beat thang software professional#
To reach his vision of creating a professional hip-hop, pop, and electro-influenced sound library for the Beat Thang, Rev turned to his arsenal of UAD Powered Plug-Ins to create much of the punch, warmth, and sonic depth. To date, the Beat Thang can be heard on a myriad of high profile projects recorded by acclaimed artists such as Michael Jackson, Will.i.am, Chris Brown, Public Enemy, and Alice Cooper.
#Bke beat thang software portable#
Loaded with over 3,000 professionally-mastered sounds, a sampler with waveform editing, built-in effects, chromatic keypads, and a portable design, the Beat Thang provides all the tools needed to make high-quality, radio-ready music right out of the box. In partnership with Soulbeat Productions and BKE, Rev co-created the Beat Thang mobile music workstation, which is available worldwide as a hardware device or virtual instrument. Nashville-based producer/engineer Reavis "Rev" Mitchell has produced and mixed commercial music for MTV2, USA Networks, and ABC Family, and has done engineering, production, and voice-over work for Sony Music, Zoom Corporation, McDonald's, and Coca-Cola. Reavis "Rev" Mitchell with the Beat Thang.
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